在《日落之前》的故事结束9年之后，杰西和赛琳在欧洲的巴黎定居了下来，结了婚，还生了一对双胞胎的女儿。　　杰西有一个儿子，十几岁，住在芝加哥。杰西正在努力维持自己和他的关系。平时，杰西住在法国，他的儿子汉克斯就和自己的前妻生活在一起。一个夏天，杰西、赛琳以及杰西的前妻还有他们的孩子，在希腊的一个小岛上度假。一开始事情都很平顺，可是渐渐地一些关于之前生活和爱情的争吵便浮出了水面。　　杰西的前妻要回芝加哥；杰西还是在写小说，希望自己能获得成功；而赛琳则走到了职业生涯的十字路口，她在考虑是不是要接纳一个政府的工作。

杰西（伊桑·霍克 饰）和赛琳（朱莉·德尔佩 饰）重归于好的九年后，在欧洲的巴黎定居了下来，结了婚，还生了一对双胞胎女儿。一个夏天，杰西、赛琳以及杰西的前妻还有他们的孩子在希腊度假。故事撷取他们在希腊伯罗奔尼撒南部小岛度假的最后一天...

她接近他是为了找回自己的灵根，他留她在身边只是为了治病。两个怀揣目的绑在一起的人是否真的能相爱…

她接近他是为了找回自己的灵根，他留她在身边只是为了治病。两个怀揣目的绑在一起的人是否真的能相爱…

A self-serving mythical creature's bid for invincibility backfires when he finds himself at the mercy of a woman who can see otherworldly beings.

Taurus City, The United States of Europe, 2023. Uly, a disillusioned soldier riddled with amnesia, returns home from a war in the Middle East, knowing only that he must desperately comb the city to find his beloved wife, Penelope. Fate fills this endless night with a series of chance meetings. Whether it be the wealthy Alcyde, the beastly cyclops Popov, Aeo the Gyspy, or Cici the Sorceress, good or evil that they be, each encounter fills in a missing piece of Uly's memory, so that he can finally face his past.

Mani Kaul presents a searing study in Arrival. To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film. In a collage of images held together by an engaging soundtrack we are shown the brutality and dehumanisation of city life. Perhaps the best part of the film is the scene in the slaughterhouse where Mani shows us the routineness of death – rows upon rows of slaughtered goats and sheep, all ready for human consumption. Because he refuses to sentimentalise, the effect is electric. Only once before have I experienced the same cold academic ferocity, in Franju's La Sang des Betes. Mani extends the slaughterhouse metaphor to labour-intensive areas where human beings are exploited and reduced to insignificant cogs in a giant, merciiess machine. The film raises more questions than it can possibly answer. That perhaps is its intention. 　　 　　Mani Kaul intended to capture just the temporalities of the migrated workers. However films division added an English voice over to explain the images. The film is violent to say the least and is reminiscent in parts of Pasolini's later works.

A friendly troll with a magic green thumb grows one flower too many for the queen, whose laws require all trolls to be mean ugly and scare humans whenever possible. As a punishment, he is exiled to a world of concrete, where he should live a life of proper trolldom: Manhattan.